Author: Simon Bishop

The Hypochondriac at Bath Theatre Royal

“. . . Tony Robinson is always very watchable, and convinces as the loathsome dressing-gowned commode-sitting Malade imaginaire. Misogynistic, self-obsessed, easily duped, Argan is not an easy figure to find sympathy for. Like his scheming wife Beline, elegantly played by Imogen Stubbs, at times one wished the old bugger would just get on and pop his clogs. The script rarely let Robinson off his leash, often leaving the funnier moments to the excellent Tracie Bennett as his long-suffering maid-come-carer Toinette. . . “

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PLAY STRINDBERG at the Ustinov Theatre, Bath

“…what elevates the piece is the sheer force of performance. Hicks, Dexter and Clothier take the space by the scruff of the neck and command you damn well follow them into their hell! And Clothier’s suave depiction of shady cousin Kurt coolly adds deceit and roguery to the mix…Watching the balance of power shift between the three characters over the course of the twelve rounds is compelling viewing”

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ONE MAN, TWO GUVNORS at Bath Theatre Royal

“Throughout, this slick standout NT ensemble relentlessly engages the laughter button with risqué one-liners, and a naughty postcard attitude to tits, bums and other unmentionables so deeply ingrained in the British sense of humour. All were outstanding, but in particular Alicia Davies’ depiction of the spiky but vulnerable Rachel Crabbe caught the eye.”

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WILD MEN at Bristol Old Vic Studio

“…Certainly there were moments of real drama, particularly during the edgy discussion between the young soldiers as to whether or not to leave their posts in the face of impending doom, and when agonising over the fate of a captured German soldier. Suddenly we had insight into why choristers could be termed ‘wild men’…”

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WHO’S AFRAID OF VIRGINIA WOOLF? at Bath Theatre Royal

“… rips off any social niceties to finally reveal, at its heart, deep animal levels of fear and vulnerability that can be the drivers of dark human behaviour if not confronted….With brilliant direction from Adrian Noble on a clever set by Mike Britton, Tim Pigott-Smith’s journey into the tortured soul of George is an opportunity not to miss – a twentieth-century American classic running on the highest octane.”

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