Tag: Bristol Hippodrome

MARY POPPINS at the Bristol Hippodrome

Directed by Richard Eyre, co-directed and choreographed by Matthew Bourne and with book by Julian Fellowes, there can have been few musicals to beat this one for the quality of its creative team . . . From the high-speed fun and games of ‘Supercalifragilisticexpialidocious’ to the gentle sentimentality of ‘Feed The Birds’ this production never fails to deliver, taking older members of the audience back to their childhood and leaving younger ones wide-eyed in wonder. One song is titled ‘Practically Perfect’ – fair comment!

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WNO’s ORLANDO at the Bristol Hippodrome

Director Harry Fehr has painted Orlando as a senior officer in the RAF, given to outbreaks of sudden violent behaviour – a man seized and eventually overcome with hallucinatory dementia inflamed by the realisation that the woman he loves has left him for another man. That other man is the soldier Medoro, also in hospital to recover, but from physical wounds, not a mental condition . . . As can be expected of the WNO, this was another very high quality production showing bold interpretation and delivery.

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DIRTY ROTTEN SCOUNDRELS at the Bristol Hippodrome

The stylish Michael Praed is wonderfully languid and vain as Jameson, masquerading as a prince from some Ruritanian backwater as he smoothly seduces wealthy ladies into handing over their jewellery. In comic contrast, Noel Sullivan is outrageously uncivilised as Benson, a Jack-the-lad who makes up for his lack of sophistication with formidable cunning. Much of the fun in this hugely entertaining show comes from the disguises they adopt as they try to dupe their chosen victims and outwit each other at the same time.

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THE SOUND OF MUSIC at the Bristol Hippodrome

In this perennial favourite story of nun meets damaged toff only to charm him and his family of budding folk singers whilst thwarting evil Nazis after the Anschluss, we have some of the most memorable songs to have gone into the collective consciousness as part of a common culture. . . . The Sound of Music is the show that keeps on giving and with such an accomplished cast what’s not to like?

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JERSEY BOYS at the Bristol Hippodrome

“. . . The soaring falsetto of Tim Driesen as Frankie Valli, harmonising with the other ‘Seasons’ in Ron Melrose’s arrangement and the full auditorium filling sound prompts an instinctive grin of approval. Without a ‘by your leave’ we are then into, ‘Big Girls Don’t Cry’ (something to do with a line from a John Wayne film) and ‘Walk Like a Man’, the import of which it seems needed explaining to producer, Bob Crewe (given a nice period camp by Matt Gillett). . . “

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