Simon Callow in THE MAN JESUS

“Mr Callow, to me, is very much an actor of the old school. I see him very much part of the tradition of Laurence Olivier, Ralph Richardson and John Gielgud. He has a certain style, a certain exaggerated panache and command of the stage that you don’t get very much nowadays. I hate to use clichés but Mr Callow really did bring Jesus to life as he told, in simple dramatic (rather than preachy) style, some of the great episodes from the gospels. . . This was a tour-de-force, a truly virtuoso performance . . “

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The 2014 Cheltenham Literature Festival

We are pleased to have been invited to review events at the Cheltenham Literature Festival for the first time. Naturally enough, we have concentrated on theatre related events and have reviewed Sheila Hancock, talking about her first novel MISS CARTER’S WAR, two SHAKESPEARE AFTERNOONS, the Hungarian man of the theatre Miklos Banffy and comedian Russell Kane who has written a play set in Essex using Shakespearean prose.

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THE GOON SHOW at the Old Joint Stock, Birmingham

“. . . The Goon Show’s revival is part of the Birmingham Comedy Festival and it still packs in the laughs largely due to its clever and original script. The Old Joint Stock is the ideal venue for this production; its small space achieves an intimate studio like feel that suits the performance to a tee . . . The live jazz quartet is the real joy of the evening, entertaining before and during the readings of the radio plays. Each of them is a talented musician in their own right and they combine brilliantly with alto saxophone soaring through the melodies with apparent ease. . .”

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DRACULA at Bristol Old Vic

“. . . Jonathan Goddard’s interpretation of the title role is entirely free of cliché. No swirling cape, no Christopher Lee, no Hammer horror. Instead, in a performance that skillfully conveys both muscularity and vulnerability, he portrays a creature trapped and tortured by the very powers that make him so dangerous. . . Dracula is dance theatre at its very best, full of memorable images. The first night played to a packed house, and I suspect that tickets for the few remaining days will be scarce, but do get to see it if you can.

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MY PERFECT MIND at the Tobacco Factory, Bristol

“. . . It is, in short, ‘life into art’ in the very best sense. That is to say, something quite new and uplifting and indeed universal comes out of a personal tragedy. To pull of such a feat needs more than serendipity of course and the cast of Edward Petherbridge and Paul Hunter are well matched by director and co-deviser, Kathryn Hunter whilst drawing freely on Shakespeare’s Lear and Petherbridge’s autobiography which both serve as the spine of the play. . .”

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TO KILL A MOCKINGBIRD at Malvern Festival Theatre

“This Regent’s Park Theatre production of To Kill A Mocking Bird is phenomenal! Every single thing about it is exceptional. It is the most wonderful piece of theatre I have ever had the pleasure to review. . . Christopher Sergel’s stage adaptation is enthralling and Timothy Sheader’s enchanting direction brings Harper Lee’s classic novel to life, delivering a masterclass in the captivating art of storytelling. . .”

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