THE FEVER at the Old Fire Station, Oxford

Is it possible to make the world a fairer place? “A sympathy for the poor does not change the life of the poor,” the narrator of The Fever tells us toward the end of her 90 minute monologue. “Artists who create works of art that inspire sympathy and good values do not change the life of the poor.” Being forced to confront the question of equality and what we tell ourselves is the inherent injustice of the world, having just had a nice dinner, with a comfortable bed waiting at home, makes sitting on that cushioned theatre seat a little less comfortable.

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WILL HARVEY’S WAR at the Everyman Cheltenham

It is only right and proper that the Everyman Theatre, one of the main focal points of culture in Cheltenham, should take it upon itself to commemorate the 100th anniversary of the outbreak of First World War….The production Paul Milton has put together is no mean achievement, involving, as it does, over sixty performers… Will Harvey’s War has been a mammoth, and for the most part successful, undertaking for which Paul Milton, the Everyman and all those involved should take a great deal of pride.

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SINGIN’ IN THE RAIN at the Bristol Hippodrome

“…Visually the show is superb. The one-set-fits-all is basically a vast film studio but also becomes a theatre, an office and a street onto which thousands of gallons of water are poured every night. The lighting and the costumes combine to re-create the bright but soft and subtle colours of old Technicolor movies…The big production numbers like the Busby Berkeley-esque Beautiful Girls complete with shiny aeroplane followed by the famous and very wet title song, were spectacular, as was the apache ballet in the second half….”

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KING LEAR in the Bodleian Library Quad, Oxford

“…Lear is a role that most serious actors crave to play, and has included the likes of Ian McKellen, Laurence Olivier, Derek Jacobi and Michael Gambon but to name a few. Marcell’s portrayal is stupendous – stripped back to its simplest form, it is touching, humble and believable…the setting lends itself to such a production and it works successfully because it is imaginative, is played at just the right tempo…On a warm summer’s evening what a delight!”

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A LITTLE NONSENSE at the Wardrobe Theatre, Bristol

“…There is some cleverly funny business involving balloons and childbirth and again a nice piece of mime about getting caught by a fishing hook…This is a pre-Edinburgh work-out for the company whose challenging theatrical cocktail of slapstick, surrealism and naturalism should, having found the right balance between those elements, find a natural home at the festival and a winning hand to show the festival-goers.”

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