Backstage shows rarely fail so it was clever to set the show in this environment complete with ropes, costumes, fire extinguisher and other backstage paraphernalia ….. Paul Milton skillfully managed to weave a coherent story line, taking us through the half-hour before the curtain goes up on a show and the opening sequence after it does.
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“What is the brain? It is a bundle of memories, shaping the centre of who we are as individuals? Is it there to create an illusion that there’s a constant ‘us’ as we lurch from random moment to random moment? Can you find genius inside it if you slice it thinly enough? ….A fantastic piece of emotionally powerful theatre that will keep you thinking for a long time afterwards, Incognito is well worth seeing. Probably twice, in case you miss anything the first time…”
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presented by the four graduating directors and features work by current acting and production students. The season concludes with DUTCHMAN by LeRoi Jones, a tale of seduction aboard the New York subway. There are two characters: Lula, a young white woman, and Clay, a black middle-class man…she comes aboard, eating an apple. He seems quiet and bookish, but she is sexy and provocative, embarrassingly forthright in her apparent desire to seduce her quiet, respectable fellow passenger.
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“…is a beautifully staged show. The set is like a circus ring with ropes, drapes, ladders and trapezes. It is these that enable Hetty to experience her young world, to climb trees and ride horses when she is fostered out to a farm before being returned, at the age of six, to a life behind locked doors…”
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An irrepressible Holly Augustine turns in a jack-in-the-box performance as Chloe Jackson, a...
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“…Cheltenham-based Missy Malone’s show at the town’s Playhouse Theatre last night successfully harked back to the good-old-days … Abagail Nenuphar’s excellent trapeze-type act on a suspended ring was both elegant and exciting but for me, beyond any doubt, it was Rod Laver who stole the show…”
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