WHO’S AFRAID OF VIRGINIA WOOLF? at Bath Theatre Royal

“… rips off any social niceties to finally reveal, at its heart, deep animal levels of fear and vulnerability that can be the drivers of dark human behaviour if not confronted….With brilliant direction from Adrian Noble on a clever set by Mike Britton, Tim Pigott-Smith’s journey into the tortured soul of George is an opportunity not to miss – a twentieth-century American classic running on the highest octane.”

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BENEATH THE ALBION SKY at the Everyman Studio, Cheltenham

“Very simply, it is the story of the walk told by its perpetrator Paul. It recalls his experiences, both real and imagined, and throws in a lot of interesting facts to keep the pot boiling…I like a bit of history and I like good theatre and Beneath the Albion Sky delivered both in an entertaining and informative way…it was really good stuff which I enjoyed a lot.”

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DEALER’S CHOICE at the Oxford Playhouse

“Five men gather every week, after the restaurant in which they work closes for the night, to play poker. They battle with cards and with egos to see who’s going to go home with the pot at the end of the game. And when a stranger enters one night the stakes become even higher…A play of male camaraderie and competitiveness, Dealer’s Choice is a great study of life.”

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WILDE WITHOUT THE BOY at the Everyman Studio, Cheltenham

“Gerard Logan has put together an entertaining and enlightening evening which gives us a greater insight into a complex and flawed genius. This is the reflective, introverted, often bitter Wilde who, if anything, is more interesting than the colourful image which he was happy to encourage…this was a compelling and revealing piece of theatre which I thoroughly enjoyed.”

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THRENODY FOR THE SKY CHILDREN at the Wardrobe Theatre, Bristol

“…Jack Dean’s monologue (or poem or play for one – take your pick) is, like Beckett’s Not I, a flow of consciousness. Using classical mythology for its structural timbers it is a lament for the fall of Icarus, for the loss of innocence, for the crushing of aspiration and a dark, frightened gaze into a slightly tongue-in-cheek dystopian future in which the UK has become something of an American supermarket…Dean has a good and expressive voice, the sine qua non of the monologist and without too much bother could turn his show into something quite memorable!

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