Author: Michael Hasted

WNO’s KISS ME KATE at Bristol Hippodrome

First of all I must state that I am a great fan of Welsh National Opera. I look forward to all their shows and I would rate them second only to Covent Garden. I think they are original, daring and innovative so I was very curious to see how they would work outside their, if not comfort zone, then certainly their usual pastures. It seemed an odd choice for a top quality international opera company to do an old Cole Porter Broadway musical.

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ZIPPO’S CIRCUS at Cheltenham Racecourse

This was the first time I had seen Zippo’s and it didn’t disappoint. As circuses got smaller so did the acts but Zippo’s has several excellent big acts. It also has some really good animal acts but apart from the horses, the animals are of the small domestic variety rather than large exotic ones. It’ll be difficult to pick out the acts I liked because I liked them all.

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FRENCH WITHOUT TEARS at the Everyman, Cheltenham

. . . this is a very enjoyable, visually pleasing production with a very strong cast that successfully exploits every opportunity for a laugh. The story takes place in some sort of private residential language school near a beach somewhere in France before the war. The students are five young Englishmen who are there prior to entering the diplomatic service, or some such thing , . . Basically, it’s just a good, old-fashioned drawing room comedy.

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THE GLENN MILLER STORY at the Cheltenham Everyman

Tommy Steele was what the audience had paid to see, come what may, and that’s what they got and they were very happy with it. And you really can’t fault a performer who has been a star for sixty years and still manages to pack ‘em in and hold them in the palm of his hand for two hours despite all the doubts about suitability for the role. I imagine most of the audience were of an age who would remember both Singin’ The Blues and Glenn Miller . . .

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The Woodlanders at the Everyman Theatre Studio, Cheltenham

The Woodlanders is an everyday story of country folk, rather like The Archers before it thought it was Eastenders. Things are very quiet in the Wessex hamlet of Little Hintock until the return of Grace, a daughter of the village, who had been sent away by her father to gain an education and loose her rough country ways. Giles, her childhood sweetheart, is inevitably cast aside and she pledges her troth to the handsome new doctor . . .

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