Author: Michael Hasted

THE PERFECT MURDER at the Everyman, Cheltenham

The plot takes us behind the suburban closed doors of unhappily married couple Victor and Joan Smiley whose loathing for each other is convincingly demonstrated by a good half hour of bickering at the start of the proceedings. Smiley by name, but sadly, not by nature. Victor finds solace in regular visits to a Croatian tart (or sex worker as I believe they are now called) nicely played by Simona Armstrong. In fact Victor is quite smitten with Kamila and plans to murder his wife and run off with her.

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ALIVE AND BREL at the Everyman Studio, Cheltenham

The French are useless at rock ’n’ roll. They have the look and they have the style but they don’t have the balls. What screws them is their obsession with words, with lyrics; they must say something. Do Wah Diddy and Tutti Fruiti just won’t cut it for them. Consequently the French miss out on having any big worldwide rock or pop stars – Johnny Hallyday and Eddy Mitchell notwithstanding.

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ROUND AND ROUND THE GARDEN at the Everyman, Cheltenham

Unlike the sixties, the 1970s have yet to take on the mantle of sexiness and most things related to it are considered a bit naff . . . Round and Round the Garden is a pleasant enough diversion about boring people – or, at least, boring men – leading their hum-drum tedious lives as vets, estate agents and assistant librarians hoping for a bit of excitement and distraction by groping each other’s spouses . . .

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THE 39 STEPS on tour

People used to say that they preferred drama on the radio because the scenery was much better. Radio stimulates the imagination so there is no limit to where it can go, to what it can do and what it can achieve. Theatre, on the other hand, usually presents you with a fait accompli; you watch the company’s presentation of a play and you are stuck with their interpretation of it. The 39 Steps is more like an enhanced radio play.

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Retrospect Opera

The mission of Retrospect Opera is very simple – to allow people to hear great British operas that they may only have read about, by recording them to the highest standards possible. Retrospect brings together experts in performing, teaching and editing music who have all researched and published on British music in their chosen period. David Chandler, professor of English at Doshisha University in Kyoto, gives a short outline of the project . . .

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