Author: Michael Hasted
TEECHERS at Cheltenham and Gloucester
Posted by Michael Hasted | 9 Dec 2015
A production from the Everyman Studio, Cheltenham. Teechers is a well-crafted, well observed and, you could say, political comedy that knows where it’s coming from. There are several underlying messages and occasionally an overt tirade about equality and opportunity but the general consensus is that everybody would be much happier and more fulfilled at Saint Georges, the posh school on the other side of town. Paul Milton’s direction was tight and to the point and had some nice touches. Very enjoyable and recommended.
Read MoreWENDY AND PETER PAN at the Royal Shakespeare Theatre, Stratford
Posted by Michael Hasted | 4 Dec 2015
Traditional pantomimes are not the only Christmas shows in town. Although the other shows dispense with the dame, the Good Fairy, Baron Hard-up and a slosh scene they still manage to conjure up all the magic and, more importantly, all the fun. The RSC’s Wendy and Peter Pan at Stratford has all that and a lot of thrills and drama as well . . . This is a spectacular production with the most amazing transformation as the Lost Boys’ hide-away emerges from the stage. . . some spectacular flying too.
Read MoreHAPPY BIRTHDAY TO US! StageTalk Magazine is 2 years old!
Posted by Michael Hasted | 1 Dec 2015
StageTalk Magazine is two years old. Our team of fourteen has reviewed nearly 500 shows at around thirty venues between Birmingham and Bath and Oxford and Cheltenham. We have seen magnificent productions in some of the country’s biggest theatres and have seen two-handers in tiny 50-seater fringe theatres. Our reviews are often quoted by theatres and producers alongside those from the national press. Thanks to all who have supported and encourage us.
Read MoreCINDERELLA at the Everyman Cheltenham
Posted by Michael Hasted | 28 Nov 2015
But of course it is Tweedy and William Elliott who are the stars of the show, Tweedy as the omnipresent Buttons and Willie as the Baroness – Hardup by name, hard-up by nature. The high-spot of the show was probably the archery, with each in turn being strapped to a giant revolving wheel while the other fired arrows at them . . . If it is Willie and Tweedy that provide the building blocks it is undoubtedly Wyn Pearson’s rousing music which is the cement that binds the whole lot together.
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