★★★★☆ Young, gifted and black; women, four of them, telling it like it is on a blank stage. Sometimes the best theatre can force you to breathe in what it is to be human; to witness, with the least filter, real experience.
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★★★★★ Whether whispering instructions to the inept and rival lover Christian beneath Roxane’s window, leaping barricades during the war with Spain or duelling with those will the nerve to refer to his proboscis, Sturrock’s Cyrano is a playful magnet always drawing the eye, exposing the conflicted man’s inner and outer workings while he both rages and inwardly weeps.
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★★★☆☆ The action all takes place in the living room at 9 Thornton Square, London. Here the controlling master of the house enacts his preconceived plan to drive his dutiful and loving wife into a state of mental instability, the better to gain unfettered access to riches he knows lie somewhere within the property.
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★★★★☆ The forty-five minutes of calm instilled by Sylvia Rimat’s gentle and immersive woodland audio-walk is potentially so restorative it should be part of every school’s extramural plans and feature on everyone’s to do list.
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★★☆☆☆ Set in a hotel on an island somewhere off the English coast, Crimes is very much a play of two halves. The first comprises mostly a somewhat underwhelming scene-setting narration by the novelist/freelance detective Artemis Arinae (Ashley Christmas) – a female version of Poirot, complete with faux Belgian accent, who introduces a string of protagonists . . .
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