Author: Simon Bishop

Welsh National Opera’s LA BOHÈME at Bristol Hippodrome

★★★★★ As well as sweeping us up with Puccini’s glorious melodies throughout this performance, the singers’ understated body language always gave their performances plausibility. This was a memorable night at the Hippodrome – there were cries and roars of approval, and no doubt a few tears, at the final curtain.

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ESCAPED ALONE at Bristol Old Vic

★★★★★ The very wonderful Linda Bassett, Deborah Findlay, Kika Markham and June Watson play Mrs Jarrett, Sally, Lena and Vi. Directed by James Macdonald this quartet come to life as an ensemble, hilariously so when singing their version of The Crystals’ De Doo Ron Ron, and with depth and sensitivity when exploring the shadowy side of these characters’ lives.

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SUNNY AFTERNOON at the Bristol Hippodrome

★★★☆☆ Combining the music and lyrics of Ray Davies with Joe Penhall’s biographical book of the singer songwriter, Sunny Afternoon tells the story of The Kinks getting their break in the music business and their subsequent travails with managers, money men and unions, on an upward but sometimes tempestuous trajectory to rock’n’roll fame.

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The Commitments at the Bristol Hippodrome

★★★★☆ My instinct was to compare stage and film versions, having loved the movie directed by Alan Parker back in 1991. The staged version remains true to all the main characters, but has a tendency to fast forward the more subtle interchanges between them. With 10 more songs than feature in the film to get through, relationships tended to be sudden, rather than evolve, in order for the production to push on to the next foot stomping hit.

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THE RECORD at the Bristol Old Vic

★★★☆☆ The Record, one of nine pieces 600 Highwaymen have created since 2009, veers towards being a kinetic art installation, brought to life by 40-plus Bristolians of all ages, sizes and backgrounds. Theatre it certainly is too, but with more of an existentialist, minimalist approach that can, at times, be both hallucinatory and mesmerising . . . Strangers on stage, strangers in the audience, we find ourselves contemplating each other as souls looking for connection.

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