Author: Simon Bishop

Kate Dimbleby at Bristol’s Tobacco Factory Theatres

★★★☆☆ The performance of Songbirds is as much about the storytelling as it is the delivery of the songs, which, with a few exceptions, are quite short. We hear about growing up in the Dimbleby household, operatic breakfasts for instance, and a reverence for granddad Richard, of whom we hear a recorded clip . . . Working acapella, Kate uses a multi-track voice looper to build layers of backing vocals.

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THE TENANT at Kings Weston House, Bristol

★★★★☆ Based The Tenant of Wildfell Hall, Concert Theatre under the direction of An-Ting Chang, a concert pianist and chemistry and theatre graduate, presents a novel way of combining classical music performance with theatrical production. The result is a powerful coupling that faithfully recreates the emotional intensity of Brontë’s story, performed in an unforgettable period setting.

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BLOOD BROTHERS at the Bristol Hippodrome

★★★☆☆ A synopsis would read like a Shakespearean tragedy. Twin brothers are separated shortly after birth because their single mum, Mrs Johnstone, is struggling to provide for an already large family, and her employer, the wealthy Mrs Lyons, sees an opportunity to gain the baby she cannot have herself. A pact of secrecy is sworn between them.

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Matthew Bourne’s THE RED SHOES at the Bristol Hippodrome

★★★★★ As well as being a gifted choreographer, Bourne is a great showman. As in his memorable production of Sleeping Beauty that toured here last year, his Red Shoes is packed with pace, performance and presentation . . . Red Shoes is a visual feast that will live long in the memory of those lucky enough to see it.

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