Author: Simon Bishop

THE MIKADO at the Bristol Hippodrome

The Mikado, can, on the face of it, appear as extraordinarily eccentric. There is a surface quaintness that belies the more sinister themes of power, frustrated love and judicial cruelty that run throughout the narrative. Tonight’s production straddled those two extremes perfectly. The songs, of course, help to sweep you along – Three Little Maids From School Are We and Here’s A How-De-Do being the more obviously remembered upbeat melodies . . .

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HORRIBLE HISTORIES at the Bristol Hippodrome

It’s an entertaining show, with all the elements of Horrible Histories storytelling that two generations have now come to know and love. But whereas the original drawings of illustrator Martin Brown have provided so much warmth to the character of the books, the introduction of top-of-the-range digital effects is possibly in danger of stealing this show, making it a little too slick. But despite this, this Horrible Histories staging remains a fun way to swallow some cool facts at a young age.

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THE BEST THING at Tobacco Factory Theatres, Bristol

Vamos are masters of body language. Wearing full-face masks, not a word is spoken throughout the 80-minute performance. Yet we know exactly what is in the minds of the players, and what they are conveying to one another. In the hunch of a shoulder, the flick of a head, or the fidgeting of fingers, not only do we get all the narrative we need, but the layers that language can introduce are stripped away, leaving us with pure essence of character . . .

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JSLN DANCE at the Redgrave Theatre, Bristol

To all you lovers of dance and spectacle I suggest you book seats at tonight’s performance of the JSLN Dance Company . . . Variations of Pointe presents an intriguing and highly entertaining triple bill that reflects Artistic director Sören Magnus Niewelt’s desire for classical and populist narratives to be explored through classical ballet, but also through other dance forms.

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REHEARSAL FOR MURDER on tour

Playwright Alex Dennison is a man on a mission. The woman he loved and planned to marry, actress Monica Welles, was found dead ten stories below her balcony a year ago, within a few hours after her opening night as the lead in his latest play. Was this an unfortunate and sorry suicide? Case closed. Or not? Dennison hasn’t let go of the idea she was murdered. But what lengths will he go to in order to prove it?

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