Author: Simon Bishop

OH, WHISTLE at the Tobacco Factory, Bristol

Wearing a ‘lived-in’ suit complete with shirt, tie, waistcoat adorned with pens and a chain watch in the pocket, round spectacle glasses on his nose and sometimes holding a pipe or a glass of brandy in his hand, Parry set to work in a disarmingly genial way to entrap the imagination of those of us lucky enough to be in this sell-out show’s audience. That another earlier performance had to be rapidly convened to satisfy the demand for tickets is testament to the appeal of good old-fashioned storytelling, and of course the promise of a frisson of fear.

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SLEEPING BEAUTY at the Bristol Hippodrome

Taking Tchaikovsky’s sweeping score as his script and his blueprint, Matthew Bourne has built an extraordinary retelling of this ancient tale that taps into the same vein, if you’ll pardon the pun, as the teenage vampire sensation The Twilight Saga. Putting the Gothic into this romance is a masterstroke – it immediately makes for some sumptuous costume opportunities, and laces a predictable love story with a darker and sexier understory.

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I KNOW ALL THE SECRETS IN MY WORLD at the Bristol Old Vic Studio

Written and directed by artistic director Natalie Ibu, I Know… represents the company’s most ambitious production and tour so far. Ibu describes the motivation behind the play: “A transformative moment – where the play really found itself – was when I found out, over Facebook, that I had five half brothers in Nigeria that I didn’t know about. I found myself grieving five men that hadn’t died but were absent . . .

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THRILLER – LIVE at the Bristol Hippodrome

You can’t really argue with this. Thriller Live delivered what an eager crowd wanted – hit after hit from the great Jacko catalogue. It had to be tight, sassy, had to be ON it. Anything less… well, I dread to think. Backed live by the superb Thriller Band, Shaquille Hemmans, Michael Kavuma, Rory Taylor, Angelica Allen and Sean Christopher all took the night by storm to deliver a pulsing 30 plus songs to an adoring audience. Afterwards, streaming into the high-rise car park, some in the crowd were still singing and dancing . . .

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