★★★★☆ The collaboration between Green Ginger and the Nordland Visual Centre has resulted in a show that mixes puppetry, human action and visual effects hardly bettered by cinema and which takes theatre into areas we might not have thought possible.
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★★★★★ I haven’t enjoyed a piece of theatre this much in a long time. This could easily have been a very simple and dull play, but the ensemble, creatives and crew made sure every element of this performance was magnificent.
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★★★★☆ Khan understands the power of a good silence better than almost any comedian I’ve seen. He holds every joke for what seems like a beat too long, except it is absolutely perfect timing, as his facial expressions in these moments have the audience in stitches.
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★★★★☆ The show opens in a grim girls’ orphanage. The walls tower up into darkness, and huge doors and tall lamps accentuate the tininess of the occupants, lying on their starkly function beds. The laundry boy tells them that they get ‘clean sheets once a month, whether they need them or not’. Everything is bathed in a blue-green, sepulchral light.
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★★★★☆ It is somewhat redundant to extoll the virtues of The Mousetrap as a murder mystery play at this point. Aside from being one of many feathers in the cap of the country’s most prolific crime writer, it has been an ever-present staple of the stage since it was first produced.
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★★★★☆ With props and costumes from the dressing up box in mummy’s bedroom and the cupboard under the sink they deliver unbridled theatre-making with a determination to have a good time in the process. Their own delight rubs off on the audience.
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